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This issue highlights a multitude of perspectives: taking us from South-East Asia to Europe, from a storm cloud to deep underground, and into an uncertain future of artificial intelligence. The work of Sydney-based artist Agus Wijaya graces the cover, and on the eve of his exhibition at Stanley Street Gallery, Wijaya discusses the multiplicities and tensions that inform his intensely-hued artworks.
Writer Jo Higgins takes us into the Berlin studio of Olafur Eliasson, whose exhibition Presence opens in December at the Queensland Art Gallery | Gallery of Modern Art. Eliasson muses on the studio as garden, and reveals the thinking behind his new series exploring polarisation. This year has seen a tipping point in the relationship between artificial intelligence and creative labour. In the second essay in Art Guides series The Long View, acclaimed writer Stephanie Wood investigates the forces that define this moment.
